Twelve Minutes is something entirely unique in the gaming space. The cogs all turn in unison and compliment each other throughout delivering an intricate narrative bustling with superbly acted and written characters. But then there’s the ending…

Last Stop’s compelling and digestible plot, not without its faults, lands on its feet and ultimately overshadows what it lacks in gameplay. The narrative will constantly have you pleading for more, telling yourself “just one more chapter.”

While Backbone’s writing left a sense of disconnection between its characters and narrative themes, an unmatched artistic direction as well as a strong third act is worth the price of admission into this dark, dystopian retro future.

D’Avekki Studios’s Dark Nights with Poe and Munro is without a doubt an enjoyable supernatural hodge podge of ideas; some interesting, some not so much. While D’Avekki seems very aware of what they are making and don't stray away from it, a lot of what they try falls short.

Skate City delivers a simplistic entry level approach to the genre coupled with a can-do mentality and constant sense of fulfillment. However, this sense of fulfillment falls solely on the player to discover hidden features.

Hitchhiker is a story told in the medium it was meant for. It’s peculiar, heavy at times, but lovely throughout without many dull moments. While gameplay isn’t king here, the gripping narrative is well worth the price of admission.

Mundaun is absolutely a quality product from beginning to end. Hidden Fields’ vision for a unique horror experience is completely realized, and it's quite the beautiful one at that.

Adios tells a superb heartbreaking story about a pig farmer, but unfortunately it is wrapped in a product that feels ultimately unfinished.